A sort of logic problem

    Killing tears the soul apart, but seemingly that would happen only if the person feels that the act is deeply wrong. So how is a horcrux made by someone who’s a psychopath? The only answer is, apparently, according to JKR, Voldemort isn’t one. So he kills and tortures, but he's not a sociopath.

    Thoughts?

    Comments

    That makes no sense to me...

    ... so my answer would be that the assumption that the soul is the same thing as ones conscience is incorrect. I can also see no reason to consider these to be the same. I would think it reasonable to say that conscience may be a function of the soul, but that does not necessarily mean that one cannot have a soul without a conscience.

    Does that make any sense to you?

    -SC

    Chatmandu's picture

    Hmmm...

    I have a poor understanding of psychopathy vs. sociopathy but Tom Riddle seems to be a sociopath. He was not implusive; rather he was well mannered, extremely likable and had a brilliant mind.

    Jo sort of left this whole murder/horcrux thing a very gray area. At one point a character (Slughorn?) says killing tears the soul. Later a character (Sluggy again? APWBD?) says murder rips the soul. She uses rip/tear and kill/murder as synonyms but they aren't necessarily the same thing.
    Morality questions: (1) Did Molly Weasley kill or murder Bellatrix LeStrange? (2) When Deasil killed Lucius Malfoy was it merely another day at the office or was he deeply disturbed by his action?

    The World According to Chatmandu: My impression of Jo's point is all killing will tear the soul, no matter how moral or amoral the person is. The key is remorse. The evil of a horcrux centers on intent. The horcurx creater deliberately kills, commits murder. The point is to deliberately create a tear in the soul so it can be ripped in two pieces and one piece separated from the other. Technically: Whether the horcrux creater considers murder wrong or not is irrelevant.

    The fact that the soul piece in the diary remained a 16 year-old Tom Riddle means the separated piece is isolated in space and time. We are subjected to the "Harry Filter" but I imagine if Slughorn or Dumbledore were to explain a horcrux the deliberate partition of something that is supposed to be metaphysically whole is why horcrux creation is so dreadful. Does that help the logic chain a bit?

    Chrysanthemum's picture

    rbackwards wrote: but

    rbackwards wrote:

    but seemingly that would happen only if the person feels that the act is deeply wrong.

    I agree with Chatmandu, my impression was that JK was saying that killing damaged the soul no matter what the person thought about it. I think that is why she avoided having Harry actually kill Voldemort in book 7, instead having Voldemort kill himself. That way Harry "vanquished" the Dark Lord, without damaging his own soul in the process. I personally made a mental distinction between killing and murder and have been confused while reading several different fanfics where the author has Harry suffering all this terrible angst over becoming a murderer just because he is the one prophesied to defeat Voldemort. These plots always feel forced to me because the argument had no weight in my mind.

    ____________________________________________________________________________
    "Outside of a dog, a book is a man's best friend. Inside a dog it's too dark to read" Groucho Marks

    Chatmandu's picture

    Aeschlyus

    A bit off topic from rbackwards' logic problem, but...

    Chrysanthemum wrote:

    I think that is why she avoided having Harry actually kill Voldemort in book 7, instead having Voldemort kill himself.

    Jo uses a quote from this Greek playwright at the front of Deathly Hallows. Oddly, a quote I know by this same playwright is "So in the Libyan fable it is told, That once an eagle, stricken with a dart, Said, when he saw the fashion of the shaft, 'With our own feathers, not by others' hands, Are we now smitten.'" If I was ever in a position to ask Jo a question, I'd ask if she was thinking of this Aeschylus quote when she plotted Voldemort's demise.

    The whole "Murder or be murdered" and "Kill or be killed" angst that filled so many fics always seemed off to me. The prophecy talks about living and dying and vanquishing a Dark Lord. I don't see "kill" or "murder" anywhere in it's language.

    Jonathan_Avery's picture

    Killing by Degrees

    Chatmandu wrote:

    The World According to Chatmandu: My impression of Jo's point is all killing will tear the soul, no matter how moral or amoral the person is. The key is remorse. The evil of a horcrux centers on intent. The horcurx creater deliberately kills, commits murder. The point is to deliberately create a tear in the soul so it can be ripped in two pieces and one piece separated from the other. Technically: Whether the horcrux creater considers murder wrong or not is irrelevant.

    I do not agree that you can infer from the story that all killing tears the soul. For instance, the Basilisk is a sentient creature that can communicate to a limited degree. Perhaps it is ruled by its most basic of desires, but the fact that it has an understandable structured language means it has an awareness about itself. Does Harry killing the Basilisk tear his soul?

    More importantly, the Tom Riddle in the diary is very much a living soul, although a tattered part. In the last book, while Harry waited between life and death, the fragment of Voldemort was shown as a viable soul, although twisted and suffering. Harry personally killed at least two of Voldemort's soul pieces. Does that not make him a killer? Would that not have torn his soul?

    To make the statement that all killing is wrong, JKR would have needed to create Harry as a pacifist unwilling to fight or kill. He would have needed to face Voldemort as if Harry were Gandhi. At the very least, she should have shown how detrimental killing is to Harry as a character, but it is not shown. His reactions to death are always strongest when someone dies whom he had no control over. In the book he shows no remorse for the death of Quirrel, no second thought on the death of the Basilisk or the shade of Tom Riddle.

    IN truth, killing the diary is an easy choice for him. Therefore, logically, I do not see killing in general as the reason one's soul tears. Rather, I believe you can only make the argument that deliberate and callous murder is what tears the soul.

    - “Perhaps, in those days, there were a few among men, a few of clear sight and clean soul, who refused to surrender that word ["I"]. What agony must have been theirs before that which they saw coming and could not stop! Perhaps they cried out in protest

    rbackwards's picture

    if the key is remorse,

    then I get the impression that Riddle would have felt none, Chat, unless he was killing because there was an overwhelming reason to do so. And maybe he did, as he will in my story possibly, because he was so afraid of dying that every confrontation with another who opposed him was killing in self-defense, so to speak.

    I'm thinking, Jonathan, that given a lack of really clear explanation of this from JKR, we might also infer (in spite of what is said by someone in the story who is quite idealistic) that killing is part of a ritual that splits the soul, but doesn't do it in and of itself.

    By the way, I typed psychopath and meant sociopath.

    rbackwards's picture

    SiblingCreature wrote: ...

    SiblingCreature wrote:

    ... so my answer would be that the assumption that the soul is the same thing as ones conscience is incorrect. I can also see no reason to consider these to be the same. I would think it reasonable to say that conscience may be a function of the soul, but that does not necessarily mean that one cannot have a soul without a conscience.

    Does that make any sense to you?

    -SC

    Nope. :)

    Ok then, lets look at this from another angle...

    rbackwards wrote:

    Killing tears the soul apart, but seemingly that would happen only if the person feels that the act is deeply wrong.?

    Why would that be the case? Why would it matter whether Voldemort feels that act is wrong? you seem to be equating Voldemort's sense of right and wrong with his soul, and to me that seems... bizarre....

    Lets imagine (for the sake of argument) that Voldemort fires a reductor curse at a section of railway track. What would you think if I stated that the track section would seemingly only be destroyed if the train was on it at the time?

    -SC

    NotACat's picture

    Hmmm…

    My impression is that the way JKR has set it up is that killing tears the soul in the same kind of way that some sharp object might tear the skin, or an accident might break a bone. The soul is capable of re-knitting itself (through remorse?) unless something is done to capture the torn fragment, which is how a horcrux is created.

    I think that why creating a horcrux is so horrible is that in order to produce a fragment which can be captured, the killing has to be deliberately timed otherwise the fragment is lost to the natural re-knitting process. Think of breaking a bone in order to reset it, or fixing a dislocated joint: neither is pleasant but must be done in order to produce the desired result (although in those cases the result is entirely more benign).

    Quite how this works in with Harry becoming an accidental horcrux is not entirely clear, but I'm sure a bit more hand-waving will produce a reasonable solution.

    Chatmandu's picture

    Harry, and basilisks, and horcruxes, oh my!

    Interesting post Jonathan. That gets back to my question about Molly Weasley, who killed Bellatrix. Did THAT tear her soul? Did she feel any remorse for the killing the person who nearly killed her daughter? I bet not. The basilisk is listed as a Dark and highly dangerous creature, does killing such a creature tear the soul? What about killing Kreacher? Destroying a horcrux does not kill the soul bit (for lack of a better term). My understanding of horcruxes is when one is destroyed the soul bit is released into the great "King's Cross Station" in the sky. Destroying a horcrux removes the spells used to contain the soul bit, it is the physical object that is destroyed, not the metaphysical object within it.

    The whole horcrux thing is iffy because how they work is not important to the Harry Potter stories, only the fact they exist. Sort of like Ginny Weasley! While she becomes crucial to the character Harry Potter she is not important to the Harry vs. Voldemort plot.

    rbackwards's picture

    SiblingCreature wrote: Why

    SiblingCreature wrote:

    Why would that be the case? Why would it matter whether Voldemort feels that act is wrong? you seem to be equating Voldemort's sense of right and wrong with his soul, and to me that seems... bizarre....

    Actually it's not me that equates a soul with a moral center, so to speak. It appears to be JKR who does, if it's true that Molly's soul isn't split when she kills Bellatrix. Either that, or she's half-souled after the battle, and the other part went somewhere else.

    SiblingCreature wrote:

    Lets imagine (for the sake of argument) that Voldemort fires a reductor curse at a section of railway track. What would you think if I stated that the track section would seemingly only be destroyed if the train was on it at the time?
    -SC

    I would think we are talking about two different things. You lost me with that analogy. (Not that I haven't done that to anyone who's read my work...)

    rbackwards's picture

    @NotACat

    Wave those hands! Interesting explanation. She didn't provide it, but it might well be true. Though I wonder - if that were the case, is it because V felt a bit of remorse that he lost that final battle?

    Soul damage

    rbackwards wrote:
    SiblingCreature wrote:

    Why would that be the case? Why would it matter whether Voldemort feels that act is wrong? you seem to be equating Voldemort's sense of right and wrong with his soul, and to me that seems... bizarre....

    Actually it's not me that equates a soul with a moral center, so to speak. It appears to be JKR who does, if it's true that Molly's soul isn't split when she kills Bellatrix. Either that, or she's half-souled after the battle, and the other part went somewhere else.

    My take on that is that killing someone *always* tears the soul... but given time the soul will heal, if one doesn't keep hacking away at it. As with any spell in the series intent also seems to play a part, my reading is that if the intent is malicious then more damage will be done. Its made clear in the books that making a Horcrux however is a rare bit of dark magic. It's clear that most of the DEs have killed multiple people, and with malicious intent at that, but only Voldemort has horcruxes.

    I would compare this to making a tear in the edge of a piece of paper, it weakens the paper but the paper itself is still whole, just damaged. Once the edge is torn however, you can fairly easily rip the paper in half, starting at the tear.

    As for the Horcrux in Harry, well that was explained in the books too, by that stage Voldemort's soul was so weak from being repeatedly ripped apart that an act of that magnitude was enough to rip it apart again even if that was not the intent.

    -SC

    Edit: heh I just noticed that Chatmandu made the same argument at the top of the thread. I may need to start rereading earlier posts before posting.. :-)

    rbackwards's picture

    makes sense...

    but why would killing tear the soul? Assuming that the soul is without moral qualities, why would killing have any impact on it?

    Chatmandu's picture

    Why would killing tear the soul?

    rbackwards wrote:

    but why would killing tear the soul? Assuming that the soul is without moral qualities, why would killing have any impact on it?

    This is easy to answer - Because that is how Jo wrote the story! :-)

    if nothing else...

    ... the act of killing rips the victim's soul from their body. It makes sense to me that an act which can do that can also damage the soul of the killer in the process.

    -SC

    kb0's picture

    a slightly different question

    As others have mentioned, I think the soul can "repair" itself if given time. That implies that to make a Horcrux, that it's a 2 step process: 1. rip the soul, 2. attach the ripped piece to an object. That leads us to ask: Just how did Harry become an unintentional Horcrux without step 2? (Yeah, I still don't like JKR's explanation in book7.)

    However, I'd like to ask a different but related question: When the rip is made, how big a rip is created? As you can guess, I'm really asking how many pieces can be torn off?

    It seems to me, this is not a process that has no upper limit, there must be one (the soul is not infinite or "replenishable"). I suspect JKR never answered this even for herself, given the story we ended up with. But when a rip is done, do you always get the same amount, and if so, how much? (e.g. if the answer is 10%, then there are a max of 10 equal-sized pieces) If it's a variable amount, does it simply half what remains? (so 50% of original, then 25% of original, then 12.5%...) Or is there another mathematical sequence?

    I'd also be tempted to say that as more of the soul disappears, that changes the person's character, making them more and more sociopathic, but that's a different question. :)

    Kevin

    rbackwards's picture

    soulless

    kb0 wrote:

    I'd also be tempted to say that as more of the soul disappears, that changes the person's character, making them more and more sociopathic, but that's a different question. :)

    Kevin

    What about what happens to victims of the Dementor's Kiss? Aren't they said to be soulless? Yes, but not sociopathic.

    I know it's this way because Rowling wrote it like that, and that would be fine if I were only reading it - maybe. But the problem is, I'm working with characters who have to function in that world. It's therefore more important for me that the world have a sort of internal logic.

    Chatmandu's picture

    rbackwards wrote: kb0

    rbackwards wrote:
    kb0 wrote:

    I'd also be tempted to say that as more of the soul disappears, that changes the person's character, making them more and more sociopathic, but that's a different question. :)

    Kevin

    What about what happens to victims of the Dementor's Kiss? Aren't they said to be soulless? Yes, but not sociopathic.

    I know it's this way because Rowling wrote it like that, and that would be fine if I were only reading it - maybe. But the problem is, I'm working with characters who have to function in that world. It's therefore more important for me that the world have a sort of internal logic.

    More of my two cents (pence?). For the internal logic use "the soul is the basis of a character's moral imperative." Not good or evil, but moral imperative. That way someone like Lucius Malfoy is operating with the same type of moral logic as Deasil, not the same morality though! For Lucius Malfoy and his Pureblood ilk it is a moral imperative that half-bloods, Muggle borns and Muggles be kept in ther subservient place. At best it can be a continuation of the logic behind feudalism, at worst it can be the logic behind apartheid. Yes, I know, these two social systems are not logical. But to their adherents facts are not important, only belief in the system.

    Horcrux versus Dementor... A Dementor appears to remove the soul but leaves a body's automatic mental functions still intact. I have no thoughts for an internal logic on why that differs from the Avada Kedvra removing the soul and all mental functions go with it, sorry. A repeat of my own understanding of a Horcrux: creating one separates a piece of the soul in time and space from its other part. I'll go with kb0 here and postulate the soul is torn "down the middle," so each separation is in half. It would be really hard to justify a logic where "it is not really a great murder" so the soul is only 28% torn. Perhaps in an earlier time horcrux creation was more common however, the more a person created, the more unstable their mind became. Multiple horcruxes accelerates the mental instability. That would explain the shock of making more than one, on top of the shock about creating one in the first place. In the canon Voldemort is definitely comming off the mental rails by the end of the seventh book. An impaired morality degenerates into an impaired cognative thought process? If you keep to that you can build an internal logic around it.

    There is a short fic somewhere that has Ron asking "If horcruxes were developed by the Egyptians, why aren't we surrounded by immortal Egyptians?" According to the story's logic horcruxes are magically unstable. They don't provide immortality, just a way to ward off death until they degenerate (think radioactive 1/2 life).

    kb0's picture

    rbackwards wrote: kb0

    rbackwards wrote:
    kb0 wrote:

    I'd also be tempted to say that as more of the soul disappears, that changes the person's character, making them more and more sociopathic, but that's a different question. :)

    What about what happens to victims of the Dementor's Kiss? Aren't they said to be soulless? Yes, but not sociopathic.

    I know it's this way because Rowling wrote it like that, and that would be fine if I were only reading it - maybe. But the problem is, I'm working with characters who have to function in that world. It's therefore more important for me that the world have a sort of internal logic.

    Yep, I really like internal logic too, hence the questions. :)

    In my way of thinking, while less of a soul makes one more sociopathic and therefore more insane, no soul at all means you're brain dead and so aren't doing anything. Yes, it's an assumption of my world that you must have at least some soul to be "human" (I'll use that loosely to include Veela and other near-humans, as well as a variety of mental states). Of course, that does leave me with the problem of what to do with vampires, but I can probably get by with leaving them a soul on earth however with different bodily functions. The closest thing there is to appearing alive but souless would be Inferi, which we know aren't really alive. (Hmm, would Dementors fall into this category too? :)

    Chamandu raises a good question about what the Killing Curse really does, as it appears to rip the whole/remaining soul away, but then does just enough more damage so that the body ceases to function (shocks the heart into stopping?). Unless someone else has a better guess.

    kb0's picture

    how much is enough to function?

    Chatmandu wrote:

    ... I'll go with kb0 here and postulate the soul is torn "down the middle," so each separation is in half. It would be really hard to justify a logic where "it is not really a great murder" so the soul is only 28% torn.

    This is where I naturally want to go, because I don't think the person can control how much is split off. Also, in the books, it seems to me that the diary was more powerful as the first one created, but perhaps that's just me reading what I want into the situations.

    But this brings up an interesting question to me. With this math, we get (with a little rounding):
    1H = 50%
    2H = 25%
    3H = 12.5%
    4H = 6.25%
    5H = 3.12%
    6H = 1.56%

    So by the time Tom did 6 splits (ending with 7 pieces and the last is in him), he's down to about 1.5% of the original. One more split for the unexpected Harry piece would take him down to less than 1%! Is that even enough to still function? Or is that last piece even enough to do anything useful for him? (i.e. could it really be used to bring him back) Or is this just another case of JKR being bad with math and not thinking this thru? ;)

    Chatmandu wrote:

    Perhaps in an earlier time horcrux creation was more common however, the more a person created, the more unstable their mind became. Multiple horcruxes accelerates the mental instability. That would explain the shock of making more than one, on top of the shock about creating one in the first place. In the canon Voldemort is definitely coming off the mental rails by the end of the seventh book. An impaired morality degenerates into an impaired cognitive thought process? If you keep to that you can build an internal logic around it.

    I would agree that Tom was multiple cards short of a full deck by the end of book7, and a very small (& unstable) soul is the only reason I can come up with.

    Chatmandu wrote:

    There is a short fic somewhere that has Ron asking "If horcruxes were developed by the Egyptians, why aren't we surrounded by immortal Egyptians?" According to the story's logic horcruxes are magically unstable. They don't provide immortality, just a way to ward off death until they degenerate (think radioactive 1/2 life).

    Yep, I've read that and thought the author asked a fun "what if" question. It created a plot bunny for me too, but I doubt it'll ever get written. It'd be great if you could name the story as I'd love to reread it.

    duckster's picture

    Referenced story

    The story is The Conversation by Clell65619

    http://www.fanfiction.net/s/5835607/1/The_Conversation

    kb0's picture

    duckster wrote: The story

    duckster wrote:

    The story is The Conversation by Clell65619

    Thanks!

    Soul vs. Consciousness vs. Intellect

    Let me suggest that JKR probably does not worry overmuch about these questions. She used what worked for the desired dramatic effect in a given chapter without much concern about logic. We can but follow her lead.

    Having said that it seems clear that soul, consciousness, and intelligence are three different (but related) characteristics of sentient beings. Riddle damaged his soul so that we was no longer human, but remained conscious and minimally intelligent. Whether or not souls actually exist is another question. For our purposes they do because JKR said so.

    I once spent a week during a murder trial sharing a motel room with the Director of the area Texas State Hospital for the criminally insane. He said that a working definition of a sociopath is one who regards other people as objects. A psychopath recognizes people as such and enjoys causing pain. Riddle was a sociopath and Bellatrix a psychopath.

    The laws of a society are its collective opinions. Homicide is causing the death of another human. The states in the USA generally agree that Murder is intentionally or knowingly causing the death of an individual person without justification. Justifications include self defense, defense of another, and anything else a jury will buy (he looked at me funny). Not all homicides are Murder. Killing Bellatrix was justifiable homicide, not Murder. Also, soldiers may kill without committing murder.

    I have known soldiers and peace officers who have committed homicide. They are good people with intact or healed souls, although some never quite heal. I have also known murderers and at least one true sociopath. If they have souls they are surely damaged.

    Given the above pontifications, it takes a Murder to create a Horcrux. Not just any Murder will suffice or we would be swimming in a sea of Horcruxes. It has to be a deliberate Murder as part of a ritual (elaborate and arcane?) intended to create a Horcrux. It has to be so difficult that not just anyone could make one. We know that a storage container of some sort is needed. A living being seems a poor choice. It is logical to expect that the container will need some preparation lest the soul fragment dissipate.

    Parents know that Love can be limitless. We don't love one child less when another arrives. Love expands to cover all available recipients (grandchildren!). Could Hate work like Love but backward? Maybe Soul = Love and Soulless = Hate.

    Limitless Hate is a frightening prospect. Maybe Riddle is not so much a sociopath but a personification of Hate; in a more extreme class like (insert name). There has to be a limit on how many Horcruxes Riddle can make or all hope is lost.

    (Cognitur steps down and stores his soap box until next time he chooses to be foolish.)

    Cog

    Chrysanthemum's picture

    kb0 wrote: But when a rip

    kb0 wrote:

    But when a rip is done, do you always get the same amount, and if so, how much? (e.g. if the answer is 10%, then there are a max of 10 equal-sized pieces) If it's a variable amount, does it simply half what remains? (so 50% of original, then 25% of original, then 12.5%...) Or is there another mathematical sequence?
    Kevin

    This is a side note to the conversation, but if you removed 10%, the next 10% would be a smaller amount than the first. And while each successive 10% would be smaller and smaller, there would always be 10% available. That is why in math we talk about half-lives, never discussing when something would be completely gone, because it is a mathematical impossibility. I see you've already outlined the basics of half-life here. Of course this is just a mathematical game, in reality we know that particles do reach a point when they cannot be divided further short of nuclear fission. But because of the math, we can never really be sure. Is 1.5% still functional? How about 0.0000368% ?So unless you go with your first option of a fixed amount, Voldemort could have continued making horcruxes indefinitely- assuming he was still sane enough to do so. Since he didn't, stopping when he did even after he must have heard about the diary, makes me wonder if the process involved was detrimental in some way that really did concern him? Did it physically hurt? Did it weaken him magically? Was he simply not able to because of the discussion above? Are we to believe he was just really that fixated on his magical seven number?

    _______________________________________________________________________________
    "Outside of a dog, a book is a man's best friend. Inside a dog it's too dark to read" Groucho Marks

    NotACat's picture

    Self-healing

    kb0 wrote:

    […]
    So by the time Tom did 6 splits (ending with 7 pieces and the last is in him), he's down to about 1.5% of the original. One more split for the unexpected Harry piece would take him down to less than 1%! Is that even enough to still function? Or is that last piece even enough to do anything useful for him? (i.e. could it really be used to bring him back) Or is this just another case of JKR being bad with math and not thinking this thru? ;)

    I wonder whether it's as simple as this. Earlier I referred to the soul being torn by a killing, and mending itself if not partially hived off into a horcrux. I wonder whether even when a chunk is removed, the remainder doesn't then regenerate to a certain extent. I guess you could argue that a soul is kind of fractal, so part of it can stand in for the whole.

    So each time a split is performed, you're effectively spreading your soul thinner. Maybe if given time it would knit together properly and you'd stay sane; alternatively, maybe the process of yanking off the split part and stuffing it into a horcrux damages what's left.

    Or maybe I'm just spinning my wheels here…

    NotACat wrote: My

    NotACat wrote:

    My impression is that the way JKR has set it up is that killing tears the soul in the same kind of way that some sharp object might tear the skin, or an accident might break a bone. The soul is capable of re-knitting itself (through remorse?) unless something is done to capture the torn fragment, which is how a horcrux is created.

    I think that why creating a horcrux is so horrible is that in order to produce a fragment which can be captured, the killing has to be deliberately timed otherwise the fragment is lost to the natural re-knitting process. Think of breaking a bone in order to reset it, or fixing a dislocated joint: neither is pleasant but must be done in order to produce the desired result (although in those cases the result is entirely more benign).

    Quite how this works in with Harry becoming an accidental horcrux is not entirely clear, but I'm sure a bit more hand-waving will produce a reasonable solution.

    I agree with the "remorse knitting the soul together" thing, but also that to completely tear the soul in two you have to have malicious intent, and actually know and accept that you are committing murder. In the case of Molly Weasley, she killed Bellatrix to save her children and to stop her from destroying even more lives, which makes her intentions good, thus the rip on her soul is smaller and more easily repaired. I don't think she ever felt remorse on killing Bellatrix, but on killing another human being (as little as there was left on human in her) and the fact that her children witnessed it, taking away a bit of their remaining innocence.

    When Voldemort tried to kill Harry, he already planned on making a horcrux, so one might just think that the magic recognized that and tried to finish the job, but not finding an object prepared for a soul fragment, decided to lock it up in Harry instead. (Okay, a bit far-fetched but I'm trying to figure out some kind of an explanation for it.)

    - Meri